The Ashmolean – permanent collection

After the Degas to Picasso study day I took the opportunity to look round the permanent collection. With only an hour to look round I couldn’t see all of the extensive collection. I enjoyed two rooms full of small oil sketches. I didn’t know this was a thing but there were beautiful sketches by artists like Constable, Leighton, Camuccini and many more. These were preparatory sketches for classical landscape painting so were free-er and more modern-looking than the finished pieces. Some were unfinished showing the process of building up a landscape from pencil or charcoal sketches to tone and colour. In this unfinished picture Camuccini sketched general lines of composition in black chalk concentrating on the middle distance rather than the foreground.

Giovanni Battista Camuccini. Landscape with trees and roots.

Others focused on a single aspect such as a cloudscape by Constable.

John Constable. Study of Clouds. Oil on Paper


Frederic Leighton. Gateway, Algiers. Oil on board.

I loved the composition of Frederic Leighton’s sketch ‘Gateway, Algiers’ featuring a glimpse of the sea through a white archway and feeling of heat created by the colours with hints of blue, pink, grey and cream and strong shadow. The line of the sea is on the golden section.

The modern art section of the Ashmolean is small and tucked away but featured some amazing pictures. Sadly, there was no photography allowed.

Wassily Kandinsky. Murnau-Staffelsee 1. 1908

Wassily Kandinsky’s Murnau-Staffelosee 1. 1908. is a stunning landscape painting with vibrant colours depicting a late evening scene. What are those flashes of blue white  in what appears to be the foreground?

I also loved Howard Hodgkin’s “Like an open book” 1989 – 90. The thick, colourful paint makes the picture a physical presence which is reinforced by the painting over the frame. It is like a memory made solid & quite remarkable.  Sadly it isn’t featured on the Ashmolean’s website.

Neither is Jenny Saville’s amazing drawing “Study of arms II” 2015. Charcoal and pastel on tinted acrylic ground on watercolour paper. A beautiful figure study of Saville’s daughter showing the movement of her arms while sitting for a drawing.

To do: I have come to the conclusion that you can’t rely on a modern art gallery to put all their collection online! I will sketch as well as writing notes and am seriously considering taking coloured pencils to better represent pictures in my learning log.


One thought on “The Ashmolean – permanent collection”

  1. Love the Kandinsky painting . Thank you for drawing my attention to it. He used to be one of my favourite artists then I rather went off him – I must revisit this opinion . Also it makes me think, maybe after all I should stay on the BA painting pathway – so confused!

    Liked by 1 person

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